Q . What genre do you write? A . I write cross-genre fiction. Q . What’s that? A . That’s the genre that agents and editors tell you they can’t place on the bookshelf when they reject you. Bookstores can’t find a place for your book either. Q . So, do you write either mystery, suspense, or thrillers? A . Yes, all three, sometimes in one book, but there’s also romance. Q . Then it’s romantic suspense? A . Not really. Q . Why not? A . Because I don’t follow the romantic-suspense formula. Sometimes the romances in my books don’t have a HEA, Happy Ever After. Romance Writers of America classifies Romantic Suspense this way: The love story is the main focus of the novel, a suspense/mystery/thriller plot is blended with the love story, and the resolution of the romance is emotionally satisfying and optimistic. Though my books have a romance, crime is the focus of the story. RWA has tempered their former explanation of a definite HEA to an ending that is emotionally satisfying an...

Although I write romantic suspense, I'm not happy with the moniker the industry gave to the genre. According to the publishing industry, romantic suspense includes all romance-themed mystery sub-genres, from cozy to thriller. There's the added hero/heroine story arc, with its requisite Happily Ever After. However, by tacking that 'suspense' term onto the genre, readers might be expecting an actual suspense, not a mystery, and be disappointed. Mystery isn't the same as suspense. I happen to think I write romantic mysteries, or, as I prefer to call them, "Mysteries with Relationships." According to the dictionary, suspense is a state of uncertainty, enjoyable tension, or anxiety. A mystery is something you cannot explain, or don't know anything about. It's easy to see how the two overlap. Often the major difference in writing a mystery as opposed to a suspense will boil down to Point of View. If there's a villain's POV, then the reade...

My book, Indiscretion , has been on Amazon’s Kindle Scout program for an entire week as of today. It’s been on and off the “Hot and Trending” list, which I guess is natural. This is measured by how many people read the sample and nominate my book during a thirty-day period. I’ve done some promotion, but there’s a fine line between promo and overkill. I try to be cognizant of where that line is. That said, self-promotion has never been an easy fit for me. So what is Kindle Scout, you ask? This is from the Kindle Scout website: “Kindle Scout is reader-powered publishing for new, never-before-published books. It’s a place where readers help decide if a book gets published. Selected books will be published by Kindle Press and receive 5-year renewable terms, a $1,500 advance, 50% eBook royalty rate, easy rights reversions and featured Amazon marketing.” Bloggers have debated the pros and cons of the program. From my point of view, the answer depends on where you are in the publishi...

Short answer: I don’t. Longer answer: I first got the idea for A Dead Guy at the Summerhouse when I was a young adult, before young adult was even a label. Very long answer: A friend had given me some books in the genre that was known then as Gothic. Remember Gothics? Young girl goes to large house filled with wealthy eccentrics, usually with a threatening figure and a helpful figure (often romance is involved), the threatening one turns out to be Good and the helpful one turns out to be Bad, much fear and emotion, happy ending. The covers usually featured the house with the young girl (usually in her nightdress) running away under a full moon, looking back over her shoulder in terror. I thought it would be fun to write one with a young man instead of a young girl. I thought it would be fun if, instead of trying to winkle out the house’s secrets, everybody would be trying to share them with him and he would be all, “I don’t want to know. I don’t want any drama or excitement....

This post first ran on Tuesday, February 21, 2012 A while back, I had the pleasure of attending a workshop given by best selling romance author, Linda Howard . While the focus of the workshop was the Twelve Steps to Intimacy, I've already done a number of blog posts on that topic, (you can read a summary here ) Most of my books are romantic suspense, which puts them under the romance umbrella, which means the majority of my audience is female. I know there's an XY reader contingent of this blog, so any feedback from them is welcome. I write books from the points of view of both men and women. Obviously, it's easier to write "female" but I do try very hard to make sure my men are actually "men" and, as the title of this blog suggests, not women with chest hair. One of the topics Linda Howard covered was writing details. She pointed out that this was one place where men are really different from women. Women write detail in sex scenes, while men...

In honor of All Hallow’s Eve , I decided to make a list of the top ten things that make my hair bristle and chills erupt on my arms. I love horror movies, the suspenseful kind, not the gory kind. Unfortunately, they leave a lasting impact. *Courtesy  http://free.clipartof.com/ 1. Things that go bump.  I once heard footsteps in the house when I thought no one was home. I froze, petrified, until I realized school had ended and it was just my daughter rolling out of bed at a time when she should have been at school. Unexplained sounds are guaranteed to up the adrenaline. I can’t count the times I have searched the house with my flashlight/taser or a big knife because I heard a strange noise. 2. Faces in windows. When my sisters and I were teenagers, our friends thought it was hilarious to show up outside our bedroom windows at night. It was not so funny, especially after reading a chapter of Stephen King. Seeing a face you don’t expect sta...

We have come up with ten basic ideas for all four layers of conflict. You may find you need to add more scenes to fill in the gaps in the story. You may change your mind about elements of the plot. The point is to have a series of prompts that keeps you working through your rough draft. You can tweak and enrich the draft during the revision layers. Things will come to you as you write that you didn’t think of before. Your characters will come alive and may change the trajectory of your story. That’s expected. What’s important is to avoid getting stuck in the muddy middle. Let’s layer the forty scene ideas we've developed in the most logical order. Internal Conflict 1 : Dick and Sally make plans to go on a long-awaited vacation. He gets a call. External Conflict 1 : Dick learns a meteor will strike.  Antagonist Conflict 1 : Ted learns there is a meteor headed toward earth. Finally, the world can be destroyed and he doesn’t have to lift a finger. All he has to do is sit b...

How many ways can you hang a page? Or a scene? Or a chapter? Page hangers are a relic of the Victorian three-deck novel that was delivered in monthly installments. Each installment ended with a little advertisement for the next one. How ever would our hero escape from that flooded cellar and those hungry red-eyed rats? Yet even today they are a fixture in best-selling suspense novels. Mistresses of melodrama Kathy Reichs and Patricia Cornwell use so many page hangers - around three per scene - that they must pluck them out of a database. Not every novel calls for hangers, of course, but the ploy is useful when the scene shifts into a different point of view or sub plot. It buys the author time. We’ll put up with a lot of digression if we're sure that the mystery posed by the page hanger will soon be resolved.  Here are seven proven page hangers and how to use them in your story to create suspense. 1. The seamless transition This is not so much a hanger as a link betwe...

‘My life began the day I killed my psychiatrist and started an illicit relationship with my tortoise.’ Are you still with me? Of course, you are. A story that opens with an intriguing mystery, even a silly one, is a story that gets read. And we don’t have a second chance. The first paragraph is the advertisement for our story. Imagine if an advertiser started with his name, the dimensions of his factory and the biography of his parents. Would we buy his product? Hm… A lot of stories are like that. The writer ‘eases us in’ with a long slab of scene setting or character description. Meanwhile, where’s the story? The reason to read on? Here are three tested ways to open a story and persuade the reader to read on:  1. Drop in a time bomb. Every good story or novel hinges upon one key incident. Maybe our character chances upon buried Nazi gold, or Jane discovers her husband is unfaithful, or a child witnesses something she was not supposed to see. Without that incident there i...

A suspense story is unlike any other fiction. The plot entices, the characters connect, but that unique sense of intrigue comes from something illogical, almost magic: the art of the reveal.   Magicians also create intrigue and for centuries have developed techniques for building suspense into their acts.   They tantalize our curiosity with illusions passed down through generations. Mystery authors like myself can learn a lot about suspense from them. In Christopher Nolan's 2006 film, The Prestige , screenwriters put forth three fictional parts to a good magic trick. I use them in crafting my reveal: The Pledge:   When opening an illusion, the magician presents an ordinary object. The audience gets to wonder what the trickster might do with it.   In a mystery, the author first builds an ordinary connection between the main character and the reader. Whether the protagonist is a powerful queen or an aspiring artist, I give her an ordinary trait my reader can connect...

We’re all afraid of something. That fear can shape who we are and can create jeopardy in our lives. We’ve all been to the dentist, right? For some, just the word could make you break into a cold sweat. Maybe you’re afraid of the pain, or the buzzing sound of the drill. But most realize that the fear and anticipation of that dental visit is worse than the actual procedure. Fear of the unknown is a similar situation. For example, both my husband and my sister-in-law recently underwent chemo. We were all nervous about what to expect. What would it feel like? Would they immediately get sick? What would their reactions and side effects be? Our imagination can conjure up all kinds of “what-ifs”. But, usually, once you’ve experienced it, you know what to expect the next time, and it’s not as scary as it was before. Use that fear and anticipation to build suspense in your writing. Suspense is about anticipation. It is about what we do not have, what has not happened, about what might ...

If you follow The Blood-Red Pencil, chances are you recognize the name Morgan Mandel. She posts here. I thought, this being the month of love, I’d ask her about writing love. How does love play a role in your latest book, Forever Young: Blessing or Curse ? The heroine, Dorrie Donato, already knows how to love, as evidenced by her strong feelings for her husband, Larry, and her devastation when he dies. She not only recalls the physical bond they shared, but also how they connected on so many other levels. When he’s gone from her life, she feels the loss immensely. She also experiences other forms of love—that for her mother, and her best friend. Another central character, Roman Remington aka The Angel Man, dubbed so because of his hunky blond-haired, blue-eyed angelic appearance, has never known love. He finds it hard to imagine the concept. His homelife was less than idyllic, with his father running out on his mother, and his mother showing no warmth for her son. Through i...

What is a “defining moment” book? Well, for me, it is a book that made me think, made me move, made me change something in how I wrote. Most of the stories and books I wrote pre-defining moment book were relationship based, delving on the lives and loves of my characters. If I had to pick a genre, I would say it was women’s fiction with a heavy romantic element. That all changed for me when I read Mary Higgins Clark’s All Around the Town . I was taking a novel writing class as an elective and for the class, we had to select a book we would read and analyze. While we did that, we would write the first three chapters of our own novel in the same genre as the book we selected. I had always loved mystery, thriller, and suspense fiction, but never thought I would or could write it. There’s so much to think about when writing a mystery and making sure the puzzle(s) fit just seemed too daunting. So, as a challenge, I picked AATT , one of the few books from Clark that I hadn’t read. ...

Many people say they read fiction for pleasure and escapism, as well as the thrill of facing their fears from the safety of a comfortable armchair. The horror, thriller, and suspense genres have always been immensely popular with readers. But what about the authors who delve into the world of their nightmares in order to bring their readers tales that will prickle the hairs on the backs of their necks? What type of person confronts their personal darkness and then invents a story around it? Mary Wollstonecraft Shelley had dealt with death intensely, and often, during her young life. Her own mother died when she was only a few days old, her half-sister and her lover's wife both committed suicide, and she’d already lost three babies by the time she came to write Frankenstein . It seems death was a theme that Mary mulled over, even though she may have been a normal, and happy, young woman in many other ways. During a holiday, Mary, her husband Percy Bysshe Shelley, and their friend L...