I have always been first and foremost an actor. Yes, I’m writing this but I’m an actor who writes. To be precise a comedic actor. I am never happier than when I’ve earned the audience’s laughter; it’s a giant hug of warmth. Comedy isn’t easy. It’s all about timing. Say the line too fast and you lose your laugh. Say it too slow and you get the same result. Not getting an expected laugh is rather like tripping; you’re not hurt, but you feel rather foolish. That said (or wrote, I suppose), every audience is different. Although smaller audiences are less likely to laugh, once they get started, they’re fine. The getting started part may take time, though. Everyone is afraid they’ll be the only ones laughing. I’ve known actors who get people to come and laugh so the risk of being the first to laugh is taken off the table. Seriously. People do this. It’s a thing. You also can’t get a laugh by yourself (unless you’re doing stand-up, of course, which is a unicorn of a completely di...

First in a week-long series exploring novels to film. A few years ago, when I started writing longer stories and began developing the Morristown mystery series, I noticed my tendency to naturally break chapters into tight scenes that seemed more like scripting theater scenes than book chapters. I also found myself looking for photos of people who might play the roles of my characters, and as I built character files, I added images to give me strong visual descriptions for my writing. That seemed like casting actors for a play or movie. When my male protagonist took over my writing voice, I had quite a few challenges identifying with his character, and visuals became even more important to my writing. I spent hours looking for my main character, J. Lindsey Calhoun, and thought I’d found him in this man: But two aspects always bothered me about this image. He needed to have blue eyes – that changed from light blue to stormy dark depending on emotion - and I didn’t get th...

Taken during my summer in England, 2012. I never thought my training and experience as an actor would be of much use outside a theatre. Certainly my family thought so. Announcing one is going to pursue an acting career garners the same response as announcing the wish to write novels: "But, what are you going to do as a real job?" As an actor I spent years (and I do mean  years ) getting inside other people's heads. I've played career-driven women, women with relationship issues, women hungry for power and women looking for love. I've even played a man with emotional troubles; the psychiatrist, Martin Dysart, in Peter Schaffer's classic play  Equus . I learned a myriad of dialogue rhythms, from comedic to tragic to Shakespearean. I honed my comedy. I discovered how people react to different situations and how to portray that (both emotionally and physically) on stage. As a director I had to 'look at the whole board' (to quote one ...