I am no longer in the habit of indulging in self-fright by reading books that are too alarming or watching movies that terrify. But that’s today. When I was young and foolish, I took chances. Back in the day, I read several Stephen King novels that have stayed with me forever. Cujo was the first. Pet Sematary was even worse. I still read Stephen King from time to time, but I read the synopses very carefully before I buy. And I don’t read King novels after the sun goes down. As far as the movies made from King novels, I think the only one I dared to watch was Carrie . If I had watched the others, I might have been scarred for life. My friend and critique group co-member Brian Kaufman wrote a few horror novels and ran the chapters through our meetings. I had to “woman-up” and read critically without freaking out. I can safely say that’s the only way anyone will persuade me read about zombies ( Dead Beyond the Fence: A Novel of the Zombie Apocalypse ) or a creepy haunted hous...

Right on the heels of our month exploring humor (September) is our month on FEAR (October). So hang onto your hats, turn on the lights, and muffle the screams (or not), because I've rounded up some lists of scary reads for you to indulge in (or avoid).  Let's start at the top and go all out with Daryl Chen's 20 Scariest Books of All Times over at the Reader's Digest site. The post includes covers and short summaries, so you can pick and choose how you prefer your frights. Stephen King is well represented in the previous list, and his works appear as well in Buzzfeed's 23 Books That are Actually Really, Really Scary . ADDENDUM : King also appears prominently in another Buzzfeed article: 23 Books That Actually Freaked People Out So Badly, They Had To Stop Reading. (And here's a shout-out to my local indie bookstore, Towne Center Books , for mentioning this particular list. Image by OpenClipart-Vectors from Pixabay Okay, I'm officially freaked o...

My writer friend, VR Barkowski, gave me permission to repost one of her blogs because I thought it bore repeating. VR’s debut novel is A Twist of Hate and can be found on Amazon. Check it out. A is for Anne Lamott. Who, in Bird by Bird , reminds us of the importance of shitty first drafts. B is for blogging. After all, isn't that what the A to Z is all about? C is for critiques. Be gracious, be kind, be honest, be open-minded—both when giving and receiving. D is for drafts. First drafts receive the lion's share of attention, but a first draft is only the clay. It is the innumerable subsequent drafts which will mold that clay into something extraordinary. E is for editing. Approach this task without mercy. (Unless you're writing about a character named Mercy, as I am.) F is for formula. The kryptonite of the creative mind. Avoid whenever possible. G is for grammar. One of the required tools of the writing trade. Get up close and personal. You can't do th...

This post first ran on Sunday, October 19, 2008 Any method of writing is valid if it produces something worth reading. I am a writer who outlines meticulously. But I do know that all of the different methods can work really well for the type of writer that they suit. Call it what you will - pantsing versus plotting, freewriting versus crafted writing, plus the third option (a bit of both: start with the beginning and end in mind, freewrite until you get stuck then plot your way out of it) - all these methods work somewhere for someone. Once you've figured out how you need to write to suit your personality, you've got it made. And when you do reach that point, do not let the so-called pros convince you that you're doing it wrong. Stephen King has said some nasty things in the past about writers who outline before they write. He's softened his tone, though, in the last twenty years. But I'm going to poke back, anyway, with the comment that many of Stephen King...

Help! They’ll hate my story. I can hear them now. ‘It’s lovely and so… you!’ Yes, they hate it.  Even if they say they don’t, can we believe them? At least, the verdict we get from an agent or competition judge will be honest. But honesty is cruel. No wonder new writers shudder when entering a major contest. Since 2009, many of the 3500+ contestants in the Writers’ Village * fiction award have asked me ‘Please be kind!’ Their terror is real. Why? If readers reject our story, they stomp on our soul. Here are seven defences against the terror of rejection. 1. Join the club! Virtually all authors who have left an enduring legacy were scorned in their debut years. It took Agatha Christie 23 attempts to get her first novel The Mysterious Affair at Styles into print. Every publisher in London laughed at William Golding’s The Lord of the Flies. Even J K Rowling had her new novel The Cuckoo’s Calling turned down by ten publishers before they discovered who had written i...

This post first ran here on January 1, 2009. ~~~~~~~~~~~~~~~ For the last two days, I’ve been filling in the details of my outline, working out the timeline, and crafting a sizzling ending that brings it all together. I’m already 50 pages into writing Thrilled to Death , and it felt like to time to solidify some plot points. I know many writers don’t do this; they prefer to wing it and see where the story takes them. ( Stephen King , for example) I rather envy that style. But I write complex mystery/suspense novels, and the outline/timeline has become more critical with each novel. In a police procedural, so much happens in the first few days of a murder investigation that a timeline is essential. For complex, parallel plots with multiple points of view, mapping the story in detail is the best way to avoid writing yourself into a dead end or writing 48 hours worth of activity into a 10-hour time frame. I speak from experience. Then yesterday for the first time, I put in writing...

How to Tell Your Writing is not C-R-A-P by Tracy Farr Let's be honest -- you are not Ernest Hemingway, I am not Charles Dickens, and your next door neighbor is not Stephen King (unless your next door neighbor IS Stephen King, then good for you!). Of course, we all dream that our names will one day be mentioned in the same breath as these masters, but it won't happen unless we do the one thing they all did (or doing -- sorry Mr. King): Revise, Revise, Revise. Everything you first write down is C-R-A-P! Nothing comes out great the first time. That's why you edit, revise, copy, paste, destroy, give mouth to mouth, slap, jab, throw down, pick up, edit again, realize it's still C-R-A-P and start all over again. And you keep doing that until it's NOT C-R-A-P! Do you think the great writers of our time just sit down at their computers and type heavenly-blessed stories without revising the crap out of them? Heavens no! And if you think you can, then someone needs to knock t...

Dear Editors- “I think one of the hardest things to do is self-editing. Invariably, no matter how hard you try, there is always something you overlook or miss. What is your advice on how to get the most out of self-editing? What are the most important things a writer should look for when they edit?” Christine Verstraete, author, Searching For A Starry Night, A Miniature Art Mystery *** This is the last post in a four-part series. To read the previous posts, click on Third , Second , and First . Today I have three words for you. Cut the fat. Stephen King, my writing-style mentor, recommends that your self-editing reduce your manuscript’s total word count by at least 10 percent. Cut the fat and get to the meat of the story. Here’s an example: Mary decided that enough was enough and that John had abused her just one too many times. She decided then and there that she must stand up for herself. She quickly snatched the rolling pin that she had on the counter and slammed him very hard, righ...