Building a book like The Real Alice in Wonderland involves not only creativity and design skills, but an impressive array of technical knowledge in an evolving industry. It sounds simplistic to say that a designer designing a book needs to remember that she is, ahem, designing a book, but it’s true—and it’s vital that the designer know not just that a book is being designed, but what kind of a book. Books demand design considerations that more typical designer projects—brochures, flyers, billboards, folders, even annual reports—don’t typically pose. Moreover, they’re not the sorts of things that any one is born knowing. Take, for example, the question of the gutter. Every book has one. It’s the crevice in the center of the book where all the pages are bound together. In books like The Real Alice in Wonderland the binding method means that type and critical images must be positioned so that they end before the page disappears down into the gutter. The thicker the book, the deeper the...