Others have started their posts this month on tropes with the definition. I shall be no different. A literary trope : the use of figurative language, via word, phrase, or an image, for artistic effect such as using a figure of speech. The word trope has also come to be used for describing commonly recurring literary and rhetorical devices, motifs, or clichés in creative works. How does a writer avoid hackneyed plot tropes? The hard-drinking cop/detective who can’t forget his mistake that cost a life. The single woman who goes back to her hometown to either care for an ailing relative, attend a class reunion/funeral, or for a hundred other reasons, and reconnects with the hometown love of her life who dumped her. The serial killer who kidnaps women and how the latest victim does him in or the persistent detective finds him before he kills her. The female cop trying to prove herself in the face of misogynist male cops who typecast her as a lightweight. We know there’s nothing new....

A friend on Facebook tagged me a few weeks ago to name seven books I loved. In no particular order, here are my seven choices and why I loved them. 1. Mystic River , by Dennis Lehane. To me, Mystic River is the perfect crime novel. It starts when three boys are playing in the street, and a big car pulls up. A man who claims to be a cop chooses the one boy who doesn’t live on the street and tells him to get into the car. He does. The story picks up about thirty years later, and how that one incident comes back to haunt them all. By the way, I crossed the Mystic River Bridge, now known as the Tobin Bridge, every day going to college. 2. Ordinary Grac e, by William Kent Kruger. A coming of age novel where a middle-age man looks back on his thirteen-year old life and the death of a friend and the family members who shaped his manhood. Beautifully written and evocative of time and place. 3. The Kite Runner , by Khaled Hosseini. Again, the main character looks back on his childhood ...

One of the difficulties in writing fiction is how to individualize your characters to make them real. This can be achieved through dialogue or specific character tics or mannerisms. Doing this in a series is more difficult because you have to keep the characters consistent in book after book. One of my favorite series—and I qualify this because I’m not a big series reader—is Michael Robotham’s Joe O’Loughlin series. Joe is a clinical psychologist with Parkinson’s Disease. Robotham doesn’t hit the reader over the head with the disintegrating effects of the illness on Joe’s body. Instead, throughout the series, the symptoms become more subtly noticeable: a disobedient leg that freezes in mid-gait or a hand tremor, but never does he make the character about the disease or the disease about the character. To coin one of my least favorite phrases, it is what it is. Joe goes about his business solving crimes without ever becoming a victim. I can think of two series where the character...