Photo by Jackie , via Flickr In last month’s post on expository technique , I identified reportage as the most utilitarian, least evocative mode of exposition. By way of supporting evidence, I provided parallel passages demonstrating alternative strategies for relaying expository information to the reader. By force of habit on my part, these passages were all written in third person. But what holds true in third person doesn’t necessarily apply in other modes of narration. On the contrary, there’s a case to be made for arguing that reportage is the very essence of first person narration. This is owing to the narrow restrictions in first person vision and perspective. Information pertaining to setting, atmosphere, backstory and plot can only be layered into the narrative through the medium of the narrator’s self-expression. First person reportage is thus both highly selective and highly subjective. The challenge for the writer is to establish the first person narrator as an au...

Jane Yolen and Debby Harris Today, please welcome Debby Harris. She edits for the marvelous author, Jane Yolen , who has written over 300 books in various genres, but is perhaps most famous for her award-winning children's and YA books. I asked Debby to share with us what it's like to work for such a prolific and accomplished writer, and here is what she has to say: 1.  Debby, how did you meet Jane Yolen? I first met Jane Yolen in person in London in 1989, at the 14th World Fantasy Convention. I had recently read her short story anthology, aptly named Tales of Wonder , and having been bowled over by the experience, was agog to meet the tale-spinner herself. I begged my friend and writing mentor Katherine Kurtz to introduce us, and she very kindly obliged. Ironically, Jane and I might easily have crossed paths much sooner and much closer to home. Our geographical nexus was the ancient Scottish burrough of St. Andrews, home of golf and birthplace of Scotland’s olde...