To borrow from a famous politician, changing one word, Villains are people too, my friend. Yes, they are, and they need to be written with the same care that you give your main characters. They need to be full-bodied, three-dimensional people with a backstory that, though you might hate them, you see why they developed as they did. We want to know what made them who they are, and if you fail to do this, you might be writing a cardboard villain. It doesn’t take much finesse to write totally evil characters, sneering and plotting the most dastardly crimes, but that doesn’t make them whole, and it doesn’t make them memorable or believable. The best villains are pitted against the noble hero/heroine: Lex Luthor vs Superman, Hannibal Lecter vs Clarice Starling. I remember reading Thomas Harris’s Silence of the Lambs , and Lecter was the epitome of evil. A sociopath, he had no moral compass, no reason he turned out the way he does. So why is he so compelling as a character? I believe in ...

A line in a recent review of one of my books gave me the idea for this blog post. “I loved the way in which even the so-called unsavory characters have been endowed with humane and just feelings.” Villains in mysteries, thrillers, and suspense novels are many times more important than the hero and heroine. Antagonists drive the story, create the suspense, and put the main characters at risk. The worse they are, the more tense the story. We want our readers to turn the pages as fast as they can, but if they don’t feel the hero or heroine is threatened, that their life is on the line, we probably haven’t written a memorable villain. However writers craft their villains, we have to be careful, especially with unrepentant psychopaths and truly evil characters. Perhaps it's worth imbuing bad guys or gals with characteristics that make the reader care about them, otherwise, they become stereotypical clichés, direct from central casting. Authors spend so much time creating their h...