I created a world in which fair-haired Titans invaded the Greek Island of Helios (based on Rhodes) and built a stronghold called Mt. Olympus. In order to earn a seat on the ruling council of Mt. Olympus, the younger generation must undergo a survival exercise on a remote, unpopulated island. I decided the test would last four weeks and each week would follow a different character's point of view, a sort of POV relay race.
When I finished the first draft of the first book in the Mythikas Island series, I knew something was missing. It had life threatening danger on a self-destructing island, a ticking clock, plenty of antagonism, and deepset interpersonal conflict. But the story didn't really come alive until I introduced the internal conflict layer.
The Greek myths are full of rich material. I developed a backstory by twisting a tale from each goddess's mythology into a personal growth arc. Each girl has a personal "ghost" they must lay to rest as the challenge progresses. The island is a place of extremes. Isolation, constant danger, and distrust boil and seethe along with the island, blurring the line between reality and insanity. Are they dealing with actual ghosts or just being "haunted" in the mind?
In Book I: Diana, (I chose to use Diana instead of Artemis for artistic reasons.) I chose the tale that Hera sent Python to prevent Leto from giving birth on Mt. Olympus. I decided Hera sending a snake to kill Leto would become the backstory that "haunts" Diana.
In Book II: Persephone, I played with the story of her abduction by Hades. In my story world, Persephone is abducted by Hades as a child and sent away to be raised by her grandmother, Gaia (the deposed wisewoman of Helios). Persephone has been taught to hate the Titans but must go as a healer to keep them alive in exchange for Gaia's life.
In Book III: Aphrodite, I was inspired by Aphrodite's love for Adonis. Nothing is as it seems on Mythikas and her love story is no different. Is Adonis truly the love of her life or is she a means to an end? Is he really there or is she hallucinating? Aphrodite as an unreliable narrator was fun to play with.
In Book IV: Athena, I decided to use her friendship with Pallas. In my version, Athena accidentally wounds and kills her best friend Pallas while sparring. As team leader, Athena's guilt drives her. No one else can die on her watch.
By facing down the ghosts from their pasts, the girls are able to resolve their issues and move forward with hard won wisdom.
I do enjoy a good ghost story, but there are other ways to utilize the concept of haunting to motivate your characters. If you have used ghosts or haunting in a unique way, share it with us in the comments.
Diana Hurwitz is the author of Story Building Blocks: The Four Layers of Conflict, Story Building Blocks II: Crafting Believable Conflict, Story Building Blocks III: The Revision Layers, and the YA adventure series Mythikas Island. Her weekly blog, Game On: Crafting Believable Conflict explores how characters behave and misbehave. Visit DianaHurwitz.com for more information and free writing tools. You can follow her on Facebook and Twitter.