|Photo by Biking Nikon SFO, via Flickr|
When Britain entered the EEC in 1973, the government agreed to adopt the metric system. Since then British children have grown up using millimetres, centimetres, metres and kilometres in place of inches, feet, yards, and miles; milligrams, grams, and kilos in place of ounces, pounds, and tons. The metric system works brilliantly in modern scientific and industrial contexts, including contemporary and futuristic fiction. However, if you’re writing a fantasy novel, the use of metric terminology seems incongruous, not to say anachronistic.
When I read a sentence like The dragon stood twenty metres tall or The golden sword weighed three kilograms, the effect resembles what you’d get if you patched a rip in your favorite old blue jeans with a strip of bright pink spandex. (Ugh!) Faced with this kind of discontinuity, the British fantasy writer is left wondering, “How am I supposed to convey the size of the dragon or the weight the sword without using contemporary metric measurements?”2
Fortunately, there is a solution: use metaphorical analogies tailored to fit your particular fantasy sub-genre.3
For example, if yours is a work of epic fantasy, you could write, The dragon was the height of a beech tree. / The golden sword was the weight of a woodman’s axe. If, by contrast, you’re writing contemporary urban fantasy, you can use descriptive analogies to highlight the contrast between the mundane and the marvelous: The dragon was the height of a five-story office block. / The golden sword weighed as much as a bowling ball.
This descriptive technique, so helpful in British fantasy, has creative applications in other types of fiction. Compare, for example, the sentence The CEO of Synergy Systems, Inc. was five feet tall, and had an assertive personality with its metaphorical counterpart: The CEO of Synergy Systems, Inc. had the body of an adolescent and the personality of a Rottweiler. The first sentence provides information; the second provides information leavened with humor.
There is also such a thing as negative analogy. Negative analogy is a wonderful vehicle for conveying irony. You could write Senator Bogtwaddle’s summer house was very large and expensively furnished, but this is coma-inducingly dull. If you want to spice things up, try the negative approach: Senator Bogtwaddle’s summer house wasn’t as big as Buckingham Palace, but it had its charms. This description has a sting in its tail.
As with other types of figurative language, the more original the analogy, the better the effect.
1 This book completes his Loki trilogy, published by Floris Books under their Kelpie imprint. The two previous volumes are The Day the World Went Loki (2013) and Thor is Locked in my Garage (2014)
2 American fantasy writers don’t have this problem because America still uses Imperial measurements – so-called because these are the units of measurement once used throughout the British Empire. The commonest units of Imperial measurement are based on the average human body. For example, an inch = the length of your top thumb joint; a foot = the length of your foot; and a yard = the length from your breastbone to the middle finger of your outstretched arm. One advantage of the Imperial system is that you don’t need any technical apparatus to guesstimate how big something is or how far away it is in relationship to yourself.
3 In a previous post, I identified 6 major sub-genres:
Epic Fantasy, High Fantasy, Historical Fantasy, Contemporary Urban Fantasy, Dark Fantasy, and Comic Fantasy.
Debby Harris is an independent editor living in Scotland. Please visit her website for more information about her editing services and fees.