Busted!—Jordan Sonnenblick caught plot-flipping

Sometimes a conflict can carry you only so far into a story before thinning out and stopping shy of novel-length material.

Say you're writing about an Asian kid moving to a new school district. Let’s call him San Lee—author Jordan Sonnenblick did. San is your average American 8th grader with no special skills who is desperate to fit in, especially with this off-beat girl he’s met, Woody, who happens to be a really good guitar player. When his social studies teacher introduces a unit on Buddhism—the same unit San took at his last school—San finds a way to shine.

Woody takes San’s interpersonal reticence, his spare wardrobe, and his knowledge of Buddhism to mean that he is some sort of Zen master. She digs this identity and San wins her attention.

Problem solved! Except that novel has shrunk to nothing more than a fun little anecdote.

Sonnenblick found a way to extend this conflict in his young adult novel, Zen and the Art of Faking It (Scholastic), and we can emulate his process.

Set up misconceptions through backstory
Sonnenblick finds a way for each of Woody’s suppositions to be faulty:
San’s reticence is nothing more than fair Woody’s ability to take his powers of speech away. He wears sandals and no winter coat through the snow-slushed streets because his father is in jail and his mother can’t afford much. And he comes across as a Zen master because of some emergency research in the public library and some artfully staged meditation sessions.

Extend the conflict across a well-orchestrated cast of characters
Sonnenblick creates an imagined rival for Woody’s affections, a librarian who feeds him Zen literature thinking it’s for a class, a mother who offers San sweet yet untimely help, an overly protective brother for Woody, and a social studies teacher who tries to inspire San to end his charade.

Set up a fall by letting things go right for a while
San is learning a lot about life on his fabricated Zen quest, and gains popularity by helping others. Even the reader gets it—in pretending to be what we want to be, we can become it!

Flip the plot—let the solution become the problem
After all his effort, turns out Woody thinks that San’s Zen-like avoidance of earthly attachments means he won’t have a girlfriend. Oops. And since that secure identity she exudes is a façade—Woody aspires to be as self-assured as San is—she doesn’t take it so well when she finds out San’s mysticism is as adopted as he is. What San has been doing, although to his benefit as a human being, is a whole lot like lying.

John Irving, in his complex 600-page novel The Cider House Rules, employs a similar plot tactic. By spreading conflict surrounding abortion and adoption over his cast of characters, then flipping the plot to explore the darker side of pregnancy resulting from incest, Irving immerses the reader in all sides of a conflict so deeply philosophical we can’t help but have a new appreciation for the complexities of life.

What examples of plot-flipping have you employed or enjoyed?

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Kathryn Craft is a developmental editor at Writing-Partner.com, an independent manuscript evaluation and editing service. What she believes: 1. Editing forever changed the way she reads. 2. Well-crafted moments of brilliance help her forgive many other problems in a manuscript. 3. All writers have strengths and weaknesses—but why settle for weaknesses? 4. We can learn as much from what other authors do right as we can from what we do wrong. This is her series, "Busted!—An author caught doing something right."