Every morning started with a continental breakfast except for Saturday when the Los Angeles Chapter of SinC put on a magnificent spread. Lunch was provided Friday and Saturday, and I have to say the Hilton food was outstanding.
The conference included panels with Hollywood industry veterans that included writers, producers, editors, screenwriters, cable and network professionals, directors, program and development honchos, literary agents and managers, and even an entertainment attorney. The speakers explained their jobs, told antidotes, gave us ideas how to connect, and graciously offered five minute pitches to the attendees.
Before the pitch session, we had pitch specialists help us compose a one line pitch to grab a producer/director/agent's attention. If you think it’s hard to explain your book in a sentence that would knock a producer’s socks off, you’re right. The person who helped our group was terrific. When the time came to pitch, most of us were nervous. I pitched the first book in my series, Mind Games, to a lovely gal who is director of development at Cartel. When the timekeeper came in to signal the end of my five minutes, I slipped the development director my bookmark containing all my books in living color, and was ushered out the door.
The subjects of the six panels:
1. Who’s Looking for What?
2. What Makes a Good Character?
3. From Page to Screen
4. Getting Past the Gatekeepers
5. The Steps from Development to Green Light
6. Let’s Make a Deal
My take was what a lot of us felt: MIXED MESSAGES. We want your book, we want to find you, BUT, you must have an agent with connections to film and TV in order to get your book in front of the right people. This was something I suspected but it spelled disappointment nevertheless. Not that I thought anyone would walk away with a contract. I'm not that naive. One writer I know wangled an invitation to send her book, so best of luck to her. I gave my bookmark to the woman who said they were always looking for good material. We’ve since connected on Facebook. I hope she’s curious enough to check out my stories. But the best way to gain the attention of Hollywood is to write a bestseller, a la Gone Girl, get lots of reviews, and then maybe, just maybe, someone will find your book. We all know how easy that is. :-)
The other delight was actress-turned-mystery writer, Harley Jane Kozak, interviewing actress, writer, director, and producer, Alison Sweeney, who stars in Murder She Baked on the Hallmark Channel, based on the books by Joanne Fluke.
Best of all was the camaraderie of the Sisters. I met a few Sisters I knew from online, got to know a few more. To top off the weekend, three of us did Rodeo Drive. We sauntered into all the designers' stores, checked prices, and hot-footed out of all the designers' stores. But we had a fun afternoon. Even our actor-to-be Uber driver drove us around and pointed out the high spots. Was the trip worth it? Every penny.
What’s next for me? I wrote a screenplay for my book Hooked in 2014, entered it in a contest—one of the things they suggested we do to get our work into the hands of film professionals—and though it didn’t do well, I plan to learn how to do it better and rewrite it. I also want to finish the two books I’m working on. So full plate for 2016. Wish me luck.
Polly Iyer is the author of seven novels: standalones Hooked, InSight, Murder Déjà Vu, Threads, and three books in the Diana Racine Psychic Suspense series, Mind Games, Goddess of the Moon, and Backlash. A Massachusetts native, she makes her home in the beautiful Piedmont region of South Carolina. You can visit her website for more on Polly and connect with her on Facebook and Twitter.